Yvi Magazine #1: Borders
The first issue of Yvi Magazine is about borders - frontiers. In 116 pages, we investigate a variety of perspectives, experiences and perceptions of borders, by photographers, visual artists, designers and writers. We encounter the ever-rising walls between nations and peoples, micro-nations, (bio)mapping, the journeys of African emigrants to Europe, gated communities, Europe's outer frontiers, the disappearance of the transition between city and country in China, the road to a European passport and much more.

Contributors include David Maisel (USA), Jeanne van Heeswijk (the Netherlands), Daniel Traub (China), Piet den Blanken (the Netherlands), Sanjit Das (India), Doris Frohnapfel (Germany), Tanja Ostojic (Germany), Borut Peterlin (Slovenia) and more.

Click here for a preview of the first issue of Yvi Magazine.


Yvi Magazine #2: Consumption
This second issue is about consumerism. The stories range from the observation of consumerism, as in the handsome series by Brian Ulrich on American malls, the work by Jan Sochor on life on the trash dumps in Nicaragua, to the solutions, realistic or otherwise, and theories presented by Atelier van Lieshout’ SlaveCity Project and the article on Cradle to Cradle. Related to this last topic, Fenne Roefs gives us a graphic and analytical demonstration of how much refuse the average Rotterdammer actually produces.
In her series, What’s the big deal anyway?, Daniëlle van Ark examines the international art trade with photographs of art fairs in London, New York, Rotterdam and Dubai, and Guikje Roethof interviews various players in the trade. Chris Jordan transforms the leftovers of our consumer society into abstract and disconcerting artworks, and from hundreds of mementos of mass tourism, Corinne Vionnett creates new, painterly images.
Daniel Pflumm’s bombardment of advertising and television images is an important contribution, while our stories from Asia are from the hand of Sophie Gerrard, who reports on the dumping of computer waste in India, and from Anjés Gesink, on overweight children in Indonesia literally being sweetened by young, inexperienced nannies. Finally, we have Boštjan Pucelj’s series on the frequently sad fates of the burden-bearers of our everyday consumerism.

Click here for a preview of Yvi Magazine #2: Consumption.

 

Yvi Magazine #3: Modern Explorers

The theme of this third issue of Yvi Magazine is Modern Explorers. Now that the world seems to becoming ever smaller, thanks to contemporary media and communications tools, it seems as if we increasingly know everything that is going on in the world. If something is happening somewhere, within minutes, the facts and the pictures are on the web and on television. Almost everywhere in the world has been visited at least once and human experiences and processes have already been discussed and charted.
This raises the question of whether, along with newsworthy events, there is anything left for the upcoming generation to discover. Ah, but there is! While investigating suitable material for this theme, I was surprised by the great number of artists who are discovering, documenting and making accessible to others things that range from very personal to very worldly, by way of photography, film, painting and other media.
In this issue of Yvi Magazine, you will find a selection that to my mind, is more than worth the while of discovering for ourselves. J.H. Engström and Kurt Tong look back at memories of their youth. After many years, J.H. Engström returned to the site of his first experience outside of his native Sweden, as a 10-year-old boy: the Charles de Gaulle Airport outside Paris. Kurt Tong, using old photographs from his childhood, returned to the national parks in China that he had once visited with his parents.
Judith Jockel went behind the walls of a women’s prison, where the young children of the detainees also live. Paho Mann has discovered the contents of the small, personal territories that usually remain closed to others, hidden in kitchen drawers. Pawel Jaszczuk reveals the typically Japanese phenomena of the socially excepted drunkenness of the Salaryman.
Rob Hornstra produced a documentary about life in Cement Town, an old suburban neighbourhood of the industrial Siberian city of Angarsk, known as a ‘no-go area’, crime-ridden and dangerous. The fact that some people do not accept the temporary character of life is shown by Murray Ballard in his series on the adherents of Cryonics, a group that hopes to restore their deceased and frozen members to life through (future) technology.
Christina Seeley charts the Earth’s brightest places in Lux, a series of brilliant night photographs of major cities in America, Europe and Japan. Naomi Leibowitz investigates the empty interiors of the cubicles where passport photographs are taken, placing them in a different reality.
Joost Conijn took a trip through Eastern Europe with a wooden car that he built himself and which runs on wood, embarking on an undefined route towards the unknown. Ben Thomas literally and figuratively plays with the perspective of familiar cities and situations in his series, City Shrinker, blurring the boundary between real and fake. Filip Berendt creates portraits of people without their being present, constructing personalities through objects in their homes.
Finally, Trevor Paglen followed and photographed the 189 secret American satellites that circle the globe and, by way of complex calculations by software he designed himself, created stunning images of their trajectories, which are interesting as images and at the same time raise questions about the political and societal consequences of the presence of these satellites.

Click here for a preview of Yvi Magazine #3: Modern Explorers.


Issue #4: Religion and rituals out now.

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